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Web copyright infringements can be costly
By Martin Paskind

Yesterday's Internet gamblers and gunfighters in T-shirts today give way to lawyers in three-piece suits. Nowhere has this process gone farther than in music. What was once a wide-open space in which everybody did everything now is a tightly-regulated territory in which penalties of infringement lie in wait.

Music became more important to the Internet in recent years as commercial uses grew simultaneously with broader bandwidths, better audio compression and other technical improvements. The result was that the Web now carries whole symphonies and rock concerts and does so at high levels of sound fidelity.

The Constitution delegates power over copyrights to Congress, which through the years composed a large and sometimes-difficult concerto of laws. Here are some of the ideas you need to know to put music on your Internet site. Music adds to interest and helps to attract and hold audience attention. It also increases legal risks.

THE LICENSING GAME
When a Web site uses music without permission of the copyright holder, the site's owner can get stuck for "direct" infringement. The owner can be hauled into court, compelled by injunction to stop misbehaving, and forced to pay damages, costs and attorney's fees.

Still, the owner can hire an attorney to make sure that required licenses are in filing cabinets.

Some people, such as Web site operators and hosts, may unknowingly commit "vicarious" infringement if they have a right-of-site supervision and if they stand to gain monetarily. "Contributory" infringement occurs when someone knows that a site contains infringing information and actually encourages people to download or make use of it.

A specific piece of music often travels with serious copyright baggage. A particular tune may be performed by five or six recording artists with an equal number of bands and orchestras. Each artist and each band has a copyright in the tune. It's important to get permission of the right artist and band before putting the tune on your Web site.

FINES AND IMPRISONMENTS
Most infringements by businesses on the Web probably will be by mistake. Serious and intentional incidents, however, are criminal. Penalties range to $500,000 and five years in prison for first offenses, and double after that.

In the complicated world of copyrights, it's worth being careful.

Statutory complexities and severe punishments stem from the power and wealth of the music industry, which takes the Internet very seriously. It's no place for a casual approach, or for doing your own lawyering. Copyright matters fall within the territory of intellectual-property lawyers, people who specialize in copyright, trademark and patent law.

If you plan a serious business Web site, your lawyer should help draw up your site development agreement. The contract needs a provision that the site developer will be responsible for getting all necessary licenses for use of copyrighted music.

Then, counsel should participate along with your site developer to make sure that licenses are legally sufficient and meet the necessities of your site.

TRIPPING OVER TYPES
Copyrights permit five kinds of licenses -- mechanical, synchronization, master use, performance and digital performance.

One Web site may need one type of license, a second may need two or three of them. However, once a copyright owner allows public performance of the work, licenses can be compulsory and at a statutory rate.

Getting the compulsory license at the statutory rate requires technically-correct notice to the copyright's owner or, if not found, to the U.S. Copyright Office in Washington. They must go to the owners of different rights, and they must relate to the correct type of license.

A synchronization license, for example, allows music in synch with visual images, as happens all the time in commercials and movies. Master-use licenses transfer the rights of singers and musicians to big record companies in exchange for royalties. Without a performance license, works can't be played publicly. To add another layer of complexity, Congress, in 1995, created digital performance licenses.

LICENSED TO PERFORM
Two long-standing agencies, ASCAP and BMI, usually take care of licensing performing rights. They audit markets, collect money and distribute it to their members. A third agency does much the same in Europe.

ASCAP and BMI propose standard Internet-use agreements, copies of which are on the companies' Web sites.

Back in those Wild West days, it was easy to tell who won the gunfight. Things aren't that easy anymore. The Web often seems easy to use. Legally, though, things changed. They will never be the same again, not in the law of copyright and not in much else.

More than a century ago, western business people with problems hired gunfighters and "negotiated" by fighting things like New Mexico's Lincoln County War of 1878. For business people who want to get on the Web today, there's no need for gunfighters nor wars. You need an intellectual property lawyer.


For much more information, check three articles in 55:1 The Business Lawyer, beginning on page 407 (Nov. 1999).

Martin Paskind is an Albuquerque lawyer. His practice emphasizes legal services to small businesses. Questions or comments can be mailed to him in care of the Albuquerque Journal, P.O. Drawer J, Albuquerque, N.M. 87103. This column is not intended to provide legal advice to any specific person, or with respect to any particular problems or situations. Paskind's columns are available online at www.abqjournal.com/biz/pask/
For advice on specific problems and circumstances, contact your attorney. 

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